Movies Detail of Il tuffo (1993)
✓ Title : Il tuffo
✓ Release Date : September 7th, 1993
✓ Genre : Drama
✓ Runtime : 90 minutes
✓ Director : Massimo Martella
✓ Writers : Roberto De Francesco, Massimo Martella, Maurizio Fiume
✓ Cast : Francesco Apolloni, Vincenzo Salemme, Elisa Mainardi, Carlotta Natoli, Gianni Cajafa, Annalisa Foà, Arturo Paglia
✓ Release Date : September 7th, 1993
✓ Genre : Drama
✓ Runtime : 90 minutes
✓ Director : Massimo Martella
✓ Writers : Roberto De Francesco, Massimo Martella, Maurizio Fiume
✓ Cast : Francesco Apolloni, Vincenzo Salemme, Elisa Mainardi, Carlotta Natoli, Gianni Cajafa, Annalisa Foà, Arturo Paglia
Synopsis of Il tuffo (1993)
Physical laws and human relations. In Terni (in the center of Italy), during a hot summer, Matteo, 30-years old with a degree in physics but unemployed gives private lessons to Elsa and Giulio. The three of them soon become friends but Matteo and Giulio also become love rivals.

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◈ Ver Il tuffo Pelicula Completa En Español Latino 1993 - A subgenre of fantasy that can refer to literary, artistic, and filmic works that combine fantasy with elements of horror. The term can be used broadly to refer to fantastical works that have a dark, gloomy atmosphere or a sense of horror and dread and a dark, often brooding, tone.
◈ Il tuffo Película Trailer Espanol - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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